This episode brought to you by Blue Wire. Reporting from the tent cities of San Francisco and visiting Portland streets ravaged by violence, she reveals the tragic consequences of their hypocrisy.ĭeliciously funny and painfully insightful, Struggle Sessions is an unmissable debut by one of America's sharpest journalists. covered on this special wrestling edition of Struggle Session featuring Leslie Lee III and featured guest Bryan Quinby. With irreverent accounts of attending Robin DiAngelo’s multi-day course on “The Toxic Trends of Whiteness,” meeting the social justice activists who run “Abolitionist Entertainment, LLC,” and navigating the increasingly deranged world of the New York Times, she deftly exposes the more comic excesses of wealthy progressives. In Struggle Sessions, Bowles takes listeners inside the world of the elite woke to paint a devastating portrait of a cultural ideology gone awry. The answers she found were worse-and funnier-than she’d expected.
You Xiaoli was standing, precariously balanced, on a stool. The handcuffs became a part of me for the next one hundred days and nights. Afterwards, they untied me and handcuffed me instead. This struggle session lasted for two hours. When the struggle session began, the Red Guard used Labor camps, public humiliation, destruction of buildings or objects and corporal punishment to criticize the peoples who opposed to praise the great of Chairman Mao and rejected to publicize Maoism. It was knotted in such a way that a slight movement of my hands would cause intense pain. Gently informed that asking these questions meant she was “on the wrong side of history,” Bowles did what any reporter worth her salt would do: she started investigating for herself. ChinaA struggle session was a form of public humiliation used by the Communist Party of Mao. Nothing Nellie Bowles-card-carrying lesbian, Hillary voter, New York Times reporter-did shocked her San Francisco neighbors and friends until she started asking whether the progressive movement she loved actually helped people.
From former New York Times reporter Nellie Bowles comes an irreverent Tom Wolfe-esque romp through the sacred spaces of woke progressivism
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